A joint effort between Jim Adkins and Fender’s, the Jim Adkins JA-90 Broadcaster Thinline is a re-making of Adkins’ old TC-90 – with some unique contacts explicitly for this new model. The Jim Adkins JA-90 Broadcaster Thinline’s semi-empty ash body is joined to a set maple neck with a rosewood fingerboard.
The Fender Jim Adkins JA-90 Telecaster Thinline guitar is a phenomenal mix that provides a warm tone with a decent edge.
Pickups are Seymour Duncan soap bars, and an Adjust-Matic associate with made sure about the backside balance the hardware. The Jim Adkins JA-90 TelecasterThinline is a sweet hatchet for any style!
When Jim Adkins, guitarist, and frontman for Jimmy Eat World, provoked Fender to structure his ideal guitar, cooperation started that brought about the JA-90 Telecaster Thinline. Fender plunked down with Adkins and went over his old Fender TC-90 spec by spec, rolling out some significant improvements that along these lines created this one of a kind model. The huge highlights incorporate a maple neck set into a semi-empty ash body, Seymour Duncan soap bar pickups, free volume, and tone controls, an Adjust-Matic connect, and a secured rear end.
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• Body: Semi-Empty Ash
• Neck: Maple, Set Neck, Modern “C” Shape, (Shine Urethane Finish)
• Fingerboard: Rosewood, 9.5″ Span
• No. of frets: 22 Medium jumbo frets
• Pickups: Seymour Duncan SP90-1NRWRP Vintage P-90 (Neck), SP90-3B Custom P-90 (Scaffold)
• Controls: 2 Volume, 2 Tone
• Pickup Exchanging: 3-Position Switch
• Bridge: Adjusto-Matic Bridgewith Moored Rear end
• Machine Heads: Cast/Fixed Tuning Machines
• Hardware: Chrome
• Pickguard: 3-ply Black
• Scale Length: 24.75″
• Width at Nut: 1.650″
• A Greatly Matching Painted Headstock
• Jim Adkins Sign on Back of Headstock
• Black Plastic Parts
• White Pearloid Dab Position Trims
• Oversized Lash Catches
Bridge Pickup Seymour DuncanSP90-3B Vintage P-90 Neck Pickup Seymour DuncanSP90-1NRWRP Vintage Invert Wound/Turn around Extremity P-90 Controls Volume 1. (Neck Pickup), Tone 1. (Neck Pickup), Volume 2. (Extension Pickup), Tone 2. (Extension Pickup) Exchanging 3-Position Switch: Position 1. Extension Pickup, Position 2. Scaffold And Neck Pickups, Position 3. Neck Pickup Setup SS
Scaffold 6-Seat Vintage-Style Adjusto-Matic with Tied down Rear end Equipment Finish Chrome Tuning Machines Standard Cast/Fixed Pickguard 3-ply Black Control Handles Evaded Amp Handles Switch Tip Dark
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The fendersJim AdkinsJA-90 Telecaster Thinline expertly brings out the late-’60s/mid-’70s firsts with a finely made semi-empty ash body. Lightweight and slick, it’s exemplary Fender structure with articulated playing solace and immortal semi-empty tone.
Notwithstanding its various other fine features, the Jim Adkins JA-90 Broadcaster Thinline features the extra style of an organizing painted headstock.
The pair of Seymour Duncan soapbar pickups on the Jim Adkins JA-90 Telecaster Thinline pass on clearly full-voiced tone.
The semi-empty Thinline body coordinated with the swamp ash and p-90 pickups join to give an exceptionally smooth sound. The absence of a major ashtray connects likewise restrains the twang a smidgen as well. The Gibson style neck development causes it to get the smooth Gibson tones as well. With the p-90 pickups, this guitar is remarkable for smooth stuff. It can get truly jazz sound with some tone handle tweaking. The guitar is likewise incredible for blues. In the extension position, a portion of the tele twang comes out however it praises the smooth sounds pleasantly. You can truly feel the resonance of the Thinline body whatever you play.
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The Fender Jim Adkins JA-90 Telecaster Thinline is an electric guitar. This semi-empty body ax includes a warm and thunderous ash body, a brilliant sounding maple set neck in a comfortable modern C shape, 22 medium jumbo frets with agreeable activity, an inviting rosewood fingerboard, an amazing Seymour Duncan SP90-1NRWRP Vintage P-90 at the neck, a hot-sounding SP90-3B Custom P-90 at the bridge, autonomous volume and tone controls for every pickup, and eye-getting chrome equipment that keeps each string’s pitch grounded and steady.