You know the pain of getting a good vocal sound as an indie musician, you need to be able to control noise, nuance, and dynamics. That is where Compressors come into the picture. Muddy vocals and bad-sounding recordings can ruin a big chunk of your musical life. if you’re looking for the best vocal compressor, then it’s time to try out the best vocal compressor.
A solid vocal compressor can make a world of difference but choosing one can be a challenge for beginners and professionals alike. If you’re making your music sound any good, the vocals have to be spot-on. Listen to your recordings with a new set of ears and you’ll love what you hear. The best vocal compressor is more than just hardware. It’s a combination of several factors that work together to provide the ideal environment for recording.
There are hundreds of vocal compression plugins, but not all are equal. Some just don’t work well on vocals. This is why we created the best vocal compressor. Turn any vocal into a huge-sounding track. A track that’s ready for radio play, video, or live performances. That’s what makes the best vocal compressor. The best vocal compressor is your ears. And if they’re not quite what you thought, listen again with the right tools. Choose the best vocal compressor – the secret weapon of top vocalists and producers. Thanks to our software, you can reduce strain on their voice. And that means no more sore throats or laryngitis affecting your music!
The Donner Compressor Pedal is the pinnacle of compression – you’ll sound professional and polished every time. It even doubles as a booster pedal, providing you with instant volume. This is simply the best vocal compressor for all instruments, not just vocals. It has a digital display that has the settings for the vocal compression you want.
All I have to do is turn it on and start recording, and in a few minutes, I’m saving a lot of time with my vocals tracks. I’m really thankful to the people who created such a wonderful invention, and also the seller for having my back, so I got it on time before my concert! Donner’s Compressor Pedal is the level above all other compressors on the market.
It doesn’t just squash your sound down like most compressors. It captures all dynamics in your performance and brings out the real emotion of every guitar lick. Be careful because this pedal compresses like a truck. Be prepared to be shocked at the amount of tone you can squeeze out of this box. This compressor is a top-quality vocal compressor unit.
If you’re looking for a professional vocal effect pedal that is compact, easy-to-use, and delivers clear sound, then you should consider this very affordable mic compressor. It’s ideal for singers who require consistency in their sound. The Compressor is a brilliant guitar effects pedal that provides sustain and dynamics enhancement to the tone.
This guitar pedal works flawlessly with any amplifier setup and is one of the best tools for the increasing the volume of the electric guitar. It can be used to get rid of the thinness in the sound that can occur between playing notes. This works equally well on acoustic, electric guitars and other musical sounds.
The industry standard in vocal recording, Apogee has created a USB microphone that provides unprecedented audio performance for a range of workflows including podcasting, streaming, A/V production and post-production, gaming, and amateur and professional music recording.
With microphone pre-amp technology from Softube and analog compression from dbx® electronics (now a subsidiary of Harman International), the Hype Digital Mic makes it easy to inject your voice or instrument recordings with pro-caliber warmth, presence, detail, and punch .
This model is made in USA. Apply voltage-controlled Class A valve preamplification and analog compression to every recording you make. It’s perfect for vocals, drums, guitars, pianos, strings, bass guitar, and any other instrument you want to make sound more exciting!
With Apogee’s large-diaphragm condenser capsule and cutting-edge preamplifier circuit design, the Hype delivers incredible sonic performance for your recordings. If you’re looking for one big step toward pro sound quality, the Apogee Hype Mic is your answer. It features analog compression technology and superlative sound quality that’s as good as microphones that cost 10 times as much.
The Hype Mic is a studio-quality microphone that delivers accurate, clear sound for capturing vocals and instruments. Because the Hype Mic is built with Apogee’s world-renowned and award-winning technology, it exhibits a superior level of audio fidelity while eliminating low-frequency distortion.
Plus, with its ability to plug directly into your computer’s USB port, you’ll have real-time access to software control with Apogee’s free Blue microphone app. The Apogee Hype mic is a USB microphone that may be connected to Windows and Apple computers. The all-in-one plug-and-play unit can also be used with iPods, iPhones, Android, and other tablets, game consoles, and set-top boxes.
The microphone utilizes Apogee’s Hype architecture, combining a powerful internal analog compression chip with an equalizer optimized for voice and instruments in a single USB microphone. The combination will deliver professional sound quality with common digital audio workflows.
The JHS Pulp ‘N Peel V4 Compressor Pedal is a stunningly small pedal that sounds like a big, warm stack. The JHS Pulp ‘N Peel V4 features its own true bypass switch and can be used for anything from a subtle boost to that “kick in the chest” feel that compression is well-known for a perfect way to kick your tube amp into overdrive.
You can make it as transparent, or as wild as you want, going from a light “thickening” to a thick squishy pedal that can make notes jump out at you with its over-the-top compression and distortion. It will also latch onto the input signal for those wild swells! JHS Pulp ‘n Peel V4 is the newest addition to the Pulp ‘n Peel family.
The circuit uses three optoisolators to eliminate ground loops and keep tones clean and clear. JHS spent months testing transistors for the right balance of gain, reliability, input impedance, and output impedance. They’ve also incorporated a “mix” control to blend between compressed and uncompressed levels for extra versatility.
This pedal pairs perfectly with the Haze Dual or Trio pedal – together they make quite a pair! This Compressor allows you to pump up the volume of your belting vocals for added presence. This compact pedal lets you control level, sensitivity, threshold, and attack/release settings on a well-spaced knob layout so that you can dial in your vocal tone quickly and easily.
The Pulp ‘N Peel 4 also sports a dedicated optical limiter circuit that takes the saturation out of your signal without losing its essence in the process–a feature that’s especially helpful when you’re playing at loud volumes where limiting is key. This is the compressor that every guitarist needs.
It has a rock-solid audio transparent gain control, and the expander/gate is like nothing else. We designed it to be a better version of the Ross compressor, and we think we nailed it. With the Pulp ‘N Peel on your pedalboard, you’ll be looking for excuses to use it on everything.
The PRO-XL MDX2600 is a two-channel Expander/Gate/Compressor/Peak Limiter designed to provide the sound engineer with high-quality and professional effects processing. Aside from the standard features expected of an expander, gate, peak limiter, and compressor, the PRO-XL MDX2600 adds a number of features not usually found in this type of equipment.
The Composer Pro-XL takes that legacy to new heights by adding up to 43 dB (!) of loudness without raising the noise floor. This extreme level of loudness can be used for many purposes: from simple analog leveling to more complex ducking tasks. Professional MDX2600 microphone preamps are built-in, and an API 560 equalizer emulation is provided as a clear advantage over similar devices.
The Composer Pro MDX2600, part of the Signature Series from Behringer, is a mid-side compander/expander that delivers the same professional performance and quality as their larger and more expensive units.
Capable of 64 dB of make-up gain, with comprehensive metering grouped in two clear LCDs, the Composer Pro MDX2600 gives you full control over any material on a priceless channel strip. This Composer is a high-performance stereo compressor that masterfully balances voice and music for all channels (including wireless mics) in live performances.
It features 6 compression curves for precise analog modeling of compressors and limiters from classic to modern designs. An All-Knob Mode featuring continuously adjustable controls allows you to explore the range of these curves and find the perfect one for your musical material.
The Expander section can be either linked to the gate or function stand-alone. In Gateway mode, it provides additional control over noise levels, providing you with even more flexibility.
ART Pro-VLA II Two Channel Vactrol-based Compressor is based on the legendary LA2A optical compressor design. Like the vintage LA2A, it features special Vactrol opto-isolator technology that allows for high “nonlinear” transfer characteristics, but with extremely low noise and distortion. This Compressor has been engineered specifically for use on vocals and other dynamic sounds.
It features our legendary Vactrol VCA that allows you to dial in the exact amount of compression you need. The Pro VLA II can be used effectively with either high or low signal levels and also offers a super-fast attack and release time while maintaining maximum gain reduction transparency.
Unlike conventional optical compressors, the Pro VLA II maintains frequency response at all settings making it ideal for compression tasks such as reducing microphone hiss or smoothing out the dynamics of a vocal track. It offers a 3-position Vactrol Opto sidechain filter.
Vactrol’s provide a very fast response to transient signals, producing a natural-sounding compression at fast attack times with little or no distortion. This compressor has gain control on both channels which allows you to easily level match channels if needed.
The combination of custom-selected Vactrol based optocoupler and transformer-balanced circuits, ensures a light, speedy and transparent sound that is perfect for vocals or instruments in the studio and on stage. Just like other ART Pro series products, the VLA uses an 18 x #47Audio Transformer.
The multi-stage reactive AC impedance matching with secondary feedback circuits are designed to optimize the transfer characteristics of the audio signal from disc to tube plate to output transformer once again, in order to achieve the best possible sound quality.
The dbx 560A is a 2-channel limiting/compression hybrid that lets you process vocals, electric instruments, and even drum buses. It will tame the most unruly tracks with surgical precision but equally shines for transparent plug-in-like duties. The 560A is powerful, easy to use, and the quality of your recordings will benefit from what it has to offer.
The 560A is one of the most lauded compressors in history, an industry standard for vocals, bass, guitar, and more. The model 560A brings analog excellence into your digital world. With AAX Native plug-in support and integration with Pro Tools Instant Collection, this legendary processor takes your tracks to the next level.
The dbx 560A offers an all-discrete class-A preamplifier and a high-output compressor in one convenient package. It’s onboard, fully parametric three-band EQ provides the ultimate in tone shaping to match any microphone type.
And, since this is dbx, there’s also a limit function with selectable release times that allows the user to create custom presets and deliver them like presets from the front panel or rear panel switches. The best vocal compressor is both light and portable, making it easy to take on the road with you.
This compact compressor will work with any line-level signal (such as your microphone or turntable) and has XLR input and output jacks. 200:1 ratio maximizes gain before feedback, while the control room section allows you to add a touch of warmth. Just connect this best vocal compressor to your PA system or recording system, and enjoy what it can do for your sound.
The dbx 266xs Compressor/Gate with (4) XLR- XLR cable is a mid-sized compressor that lets you get into your sound and make the most of it. It also includes an analog dry path, which means your input signal doesn’t have to go through digital conversion, making the sound even more high quality. In a crowded market for vocal compressors, the dbx 266xs stands out really well.
The fact that it has a built-in gate and is designed to work with any microphone type makes this a very useful little device. While other vocal compressors and gates have lots of extra features such as more controls and built-in effects, they also cost more than twice as much as the dbx 266xs. We offer you a reliable tool, with which you can enjoy the positive effect of auto-compression in your vocal recordings.
dbx 266xs Vocal Processor with Compressor and Noise Gate is not just another VST plugin or combination of audio effects. It is a single unit of high-fidelity processors that has been designed to optimize the vocal input. This is perfect for vocalists because you can set the threshold control extremely low; anything below -20dB!
But this makes for a very dynamic vocal mic. So what you want to do is set this on your vocals, and then slowly increase the threshold so that it’s just pumping out of the limiter. With this technique – which I pioneered on Michael Jackson, Janet Jackson, Stevie Wonder, and everybody else who’s had the dbx 266xs on their vocals – it really gives an incredible, in-your-face sound.
SanJune Optical Compressor Pedal—Equipped with automatic gain makeup, the attack speed is fast, and the compression depth can be adjusted. The sound shaping range is very wide, can include all kinds of voice in the music process, such as vocals, guitar, piano, and percussive instruments, etc. It has become an irreplaceable tool in the vocal to play low frequency and sustain long-lasting.
This is a unique and compact solution for musicians on the move. With its combination of optical and digital technology, this little wonder makes voice and instrument commands sound softer and more gentle. It’s the best vocal compressor for singers in the business, reducing unwanted peaks that can damage recordings and cause undesirable distortion in a live setting.
You’re looking to get the most unique compression possible- we’ve got you covered. The GB-CPX is equipped with an optical compression circuit that accurately and thoroughly analyses incoming audio signals to create dynamic, detailed, modulated sound. Three selectable modes give you the flexibility to achieve your ideal tone for both studio and stage use.
With an intuitive interface and plenty of controls for easy configuration, the GB-CPX is perfect for getting the sound you want out of your rig. GB-CPX packs quite a bit of processing power into a beefy little pedal. Combining an optical compressor with a three-band parametric EQ and a gate/expander, GB-CPX delivers all the tools you need to shape your overall tone.
To make it even better, GB-CPX comes in a small yet rugged housing that’s perfect for practice and studio alike. SanJune GB-CPX Optical Compressor Guitar and Bass Effects Pedal Mini Size is a compact pedal, making it easy to fit in most standard effect racks.
The Mini Optical Compressor features stainless steel knobs and heavy-duty footswitches, making it one of the most durable guitar stompboxes on the market today. It’s also unique in that you can choose between three different compressor modes. The Optical Compressor offers effects that are similar to that of vintage tube amplifiers.
With its built-in noise suppressor and overdrive function, sound distortion isn’t an issue either!