Vestax TR-1 Traktor Controller

vestaxVestax is now shipping the new TR-1 Traktor Controller a radical USB MIDI controller designed in cooperation with one of the pioneers of laptop-based DJing in Japan, the legendary Hiroshi Watanabe.

The TR-1 is a compact, user-friendly controller designed to emulate the touch and feel of a traditional DJ mixer while providing the features and usability that professionals demand in a laptop-based system.

The TR-1 features seamless command of Traktor Pro software for control of up to four laptops through two program channels. Key features include soft-push switches and smooth 60mm slide faders for high-precision mixing, with an adjustable Input Fader curve to adapt to any mixing style. A new Shift switch feature allows the user to customize control functions by assigning a second command to a single button.

The Vestax TR-1 comes bundled with Native Instruments Traktor LE software, can command over 160 parameters right out of the box, including live signal processing effects, beat matching, loop programming, filter sweeping, and EQ sweetening in real time.

Visually, the TR-1 features the traditional Vestax white gold faceplate and knobs, housed in a compact, road-tough chassis design that ensures reliability on tour. Hardware features include adjustable brightness of the surface’s LED lights for adaptability to any working conditions, and all control knobs are ergonomically designed for easy grabbing and smooth, noise-free adjustment.


– New soft push switches for tireless mixing.

– Smooth 60mm slide input faders or high-precision mixing.

– Selectable deck control (Max 4channels. A&C controlled by PGM1, B&D controlled by PGM2).

– New SHIFT switch feature to customize deck control functions.

– Adjustable LED light volume.

– Can control up to more than 160 parameters of compatible software.

– A compact, durable and easy-to-operate body design that ensures excellent reliability on tour

– Traditional Vestax white gold face plate and knobs.

– Bundle softwar: Native Instruments Traktor LE.

More information: Vestax

Roger Linn Design AdrenaLinn Sync plug-in

AdrenaLinn_Sync_Manual_102409Roger Linn Design released their latest product the AdrenaLinn Sync plug-in.

It is new software plug-in that provides the same unique beat-synced filter modulation and sequencing effects of the AdrenaLinn III guitar pedal.

At the same time it adds these features:

– More Control — More parameters to fine-tune your filter modulation and filter sequencing effects.
– More Randomness — Random sequence generation, random LFO amplitude, plus variable probability of randomly-generated notes or envelope firing.
– More Swing — In additional to half or full swing timing for sequenced notes, you also get on randomly-generated notes.
– Noise source for Self-Generated Noise Beats — Use noise with the sequencer to create synthesized drumbeats, or to excite resonant filters into self-oscillation.
– 2 Simultaneous Modulation Paths — Separately route LFO & Sequencer, or Sequencer Level & Sequencer Envelope, to individual levels of filter frequency, volume and pan modualtion.
– Full Stereo Signal Path — Maintain full stereo from input to output.
– Self-generating sequences — Increase resonance to full for self-oscillating filter or flanger, then use the Sequencer for random or looped self-generating note sequences.
– Musical Scale Constraints — Snap the LFO or Sequencer modulation signals chromatic, major, minor, pentatonic, blues, whole tone, diminished or seven other musical scales.
– Tube-Modeled Distortion — A very warm and smooth distortion with pre-hipass and post-lowpass filters.
– Stereo phaser — A rich, 4-stage stereo phaser.
– 10 Second Stereo Delay with Ping Pong — Makes your beat-synced delays and delay loops more useful. Delay loops as long as 8 bars in length (up to 10 seconds).
– Clean & Simple User Interface — Clearly shows signal flow and modulation routing.
– 128 Great Presets — Includes all of AdrenaLinn III sequenced, random and modulation presets, plus some new self-generating pitched sequences and noise drumbeats.

Roger Linn Design didn’t include AdrenaLinn III’s drumbeats, amp modeling, note-triggered filter modulation or reverb, but they figured you’d have plenty of plug-ins to do those things.

AdrenaLinn Sync comes in a single format that works for VST, AU and RTAS formats. It is currently available only for Mac OSX, with a Windows version coming soon.

More information about the product: Roger Linn Design

Elation Design Wash LED PRO

large-DesignWashLEDPro1Elation introduced one of their latest products the Design Wash LED PRO.

This high-output moving LED head combines smooth RGB+W color mixing, very fast speed, and impressive brightness in a compact package that fits neatly into tight spaces and tight budgets.

Thanks to this brightness and its rich, vivid RGBW colors, the Design Wash LED PRO is ideal for entertainment and theatrical applications, where dramatic movement and a sense of excitement are demanded. A fully automated moving head, the Design Wash LED PRO delivers a 180-watt output from 60 3W RGBW SSC LEDS (22 red, 17 green, 15 blue and 6 white). The addition of white LEDs to the unit’s RGB mix makes it possible to produce more vibrant colors and pastels as well as a true white.

“This is a very fast moving light with rich, vivid colors, so it can generate a lot of excitement and cover a range of moods,” said Loader, Director of Sales at Elation Professional. “It’s versatility in terms of producing colors, strobing, operating in different modes, and panning makes it an even greater value, because the same fixture can be used in so many different applications. The quietness of the fixture has also been commented on by customers who have seen the unit, saying it is the quietest moving head fixture they have ever seen/heard.”

The flicker-free Design Wash LED PRO features a smooth dimmer (0-100%), 15° lens / 28° beam angle, 603° pan, and 265° tilt. Other features include 13 DMX channels, 3-pin and 5-pin DMX control, LCD display and onboard control. The Design Wash LED PRO operates in DMX, Master/Slave, and Sound Active modes.

Weighing in at only 16.75lbs. (7.6kg) and measuring just 16.5″W x 12.5″D x 19″H, (420 x 320 x 480 mm), the Design Wash LED PRO is affordably priced with an MSRP of $2,499.95.

More information: Elation

Universal Audio Trident A-Range Classic Console EQ Powered Plug-In

large-GUI.pluginUniversal Audio
announced the release of the Trident A-Range Classic Console EQ Powered Plug-In for their popular line of UAD-1 and UAD-2 DSP Accelerator Cards for Mac and PC.

The original Trident A-Range desk holds near-mythic status in the professional recording industry, and is arguably the best loved of the classic Trident console designs. The unique band interactions of its colorful EQ section have made an indelible impact on the soundof record making. During the “Golden Years” of rock, the A-Range was employed to record some truly great records by artists such as David Bowie, Lou Reed and Queen, to name just a few.

“Of all the companies that could possibly do this job, Universal Audio would do the best job,” stated Trident Audio Developments founder and A-Range designer Malcolm Toft.

Available for purchase via UA’s Online Store for $249, the Trident A-Range Classic Console EQ Powered Plug-In features include:

– 4-band active EQ modeled from one of only 13 original Trident A-Range desks
– Licensed and endorsed by Trident Audio Developments, created by Universal Audio
– Unique filter response curves modeled to exacting detail
– Inductor-based EQ design yields band interaction between bell and shelving filters
– Unique ability to combine cut filters for unusual filtering responses
– Cosmetics match the original module’s “aubergine” (eggplant) finish

Universal Audio has always had a huge respect for the classic Trident designs. We’re very pleased to add Trident to the UAD product line, and I’m certain that our more than 30,000 users will agree,” commented Universal Audio President Matt Ward.

More information on the Trident A-Range EQ Powered Plug-In: Universal Audio

Elysia mpressor plug-in

mpressorplugtitle_enElysia has announced the mpressor plug-in, an emulation of their creative compressor.

Its all discrete circuitry and its special character have been translated into software in all the painstaking details by the specialists from brainworx. The result is an outstanding universal compressor as well as a dynamics effect machine which will significantly enhance the potentials of your sequencer. The mpressor is available in RTAS, VST and AU formats.

The plug-in has all the great functions of the hardware which can be combined in many ways: Auto Fast for attack makes life easy even on longer attack settings. The Anti Log function offers an alternative release curve that can be engaged for instant pumping effects. In addition to standard ratios, the mpressor also provides negative values. Combine this with its extremely fast attack times, and you will be able to create completely new signal envelopes.


» True Emulation: The compression behavior and the sound character of the hardware have been recreated in a complex process to match the hardware as close as possible

» Oversampling: In order to achieve the best results also on lower sample rates, the mpressor plugin uses an increased internal resolution in these cases

» Mousewheel Support: Setting parameters with the mouse can be pretty annoying for this reason the controllers of the mpressor can be easily moved with the mouse wheel

» Auto Fast: Originally developed for the alpha compressor, this switchable semi automation ensures a perfect attack on the basis of the value set by the user

» Anti Log: This alternative characteristic of the release curve follows an antilogarithmic course instead of the linear one and produces a much more audible result

» Negative Ratios: The characteristic curve bends and goes back down! Heavy pumping, backward sounds, etc. perfect for very cool compression effects

» Audio Filter: The mpressor plugin of course also features another popular function of the hardware version: the easy yet very flexible Niveau Filter

» External Sidechain: You want to create frequency dependent compression or have it accented by the groove? The sidechain function makes it all possible!

» Gain Reduction Limiter: This novel limiter is not placed in the audio path as usually, but restricts the virtual control voltage of the plug-in instead

More information: Elysia

Gig-fx SubWah pedal

SubWahGig-fx inc. has presented the SubWah a bass version of the popular MegaWah.

The new SubWah captures the signature wide-sweep range and funky low end of the Megawah, but has tailored the frequency ranges for bass guitar. The SubWah was developed with cooperation from top professional bass players in Boston, Nashville and LA, including Bootsy Collins.

The all-analog pedal features four settings: a classic wah sound, a very deep bass Sub wah, a funky envelope wah with adjustable trigger sensitivity, and an auto-wah with adjustable rate. Special care was taken to ensure preservation of bass frequencies, including five/six string low B response and at the same time to maximize ‘quack’ and ‘ping’. Many months were spent with professional players perfecting the sweep to optimize the effect and still retain bass response.

The SubWah uses optical switching and is noiselessly by-passed when the pedal is all the way back and switches on noiselessly when the pedal is pressed forward. The SubWah features a user-adjustable off-delay so that the effect turns off exactly when the musician wants it to.

The pedal features the new ‘better than true by-pass’ circuitry proven to be superior to a true by-pass in terms of preserving the instrument’s tone and harmonics through instrument cables.

The SubWah follows the popular Megawah legend, which is currently being used by an impressive list of creative guitarists such as Peter Frampton, Nick McCabe (The Verve), Brett Tuggle (Fleetwood Mac), Robin Finck (NIN), Johnny Hiland, and more.

More information about the product: Gig-fx

Virtuasonic Mijoy Pro 4

MIJOY PRO4Virtuasonic introduced their latest product the Mijoy Pro 4.

It is a VSTi MIDI plug-in that allows you to use a joystick or gamepad as a MIDI controller. It can be used to control other VSTi instruments, FX plug-ins and even MIDI hardware in real-time.

Nowadays synthesizers, samplers and effects offer an incredible range of possibilities. So much power and flexibility also means many parameters to be managed. Programming the automation by hand is a possible approach to this issue, but certainly more suitable for refining a track than for creating it from scratch.

Mijoy Pro is a premium application designed to let you control virtual instruments, hardware synthesizers, samplers and effects processors in a more friendly and effective way, as well as opening up new possibilities of approaching them. It can be used alone, but it’s also a perfect complement to a masterkeyboard or other MIDI controllers. For instance, it can be configured for key-switching, as well as for controlling filters and other parameters.

Mijoy Pro 4 represents a step forward in the way joystick axis data is handled.

This version introduces some key features that greatly improve the flexibility of the plug-in:

eight slots assignable to every joystick axis of your choice between X, Y, Z, Slider1, Slider 2, Z-rotation and their inversions.
now the same axis can be assigned to more than one MIDI command at the same with independent MIDI settings (Ch, min/max, etc.).
axis inversion.
new axis display with four switchable pointers, one for each couple of axes.
improved MIDI monitor.
new navigation menu with buttons

More information: Virtuasonic

Korg SV-1 Stage Vintage Piano

large-Korg_SV-1_73_Photo1Korg have presented their new product the SV-1 Stage Vintage Piano.

The SV-1 offers the most complete compendium of hit-making vintage electric pianos, funky clavs, classic and cult-fave organs, string machines, analog/digital electronic contenders and world-class acoustic pianos ever available in a single instrument. Available in lightweight 73-key and 88-key models, the SV-1 features Korg‘s premium RH3 Real Graded Hammer Action for a solid, expressive feel.

The SV-1 recreates the look, feel and satisfaction of performing on a vintage instrument. Absent are the crowded displays and parameter menus that are so common on today’s keyboards. In their place, the SV-1 provides a streamlined front panel where each knob serves a single function and LED indicators cue the performer to each knob’s current setting. Pressing any knob recalls its original saved setting.

Crafted using Korg‘s RX (Real eXperience) Technology, each of the 36 onboard sounds is a detailed and authentic re-creation (complete list below). The RX engine accurately captures the full range of expression and dynamics of the original instruments, including the snap of the tine, release of the hammer, click of the contacts and other definitive sonic elements.

The SV-1 also re-creates the effect pedals and studio processing that gave these sounds their original character. In addition, the proven, tube-driven (12AX7) Valve Reactor circuit combines with period-accurate amplifier modeling to deliver the warmth, bite and snarl that brings these sounds to life. Each of the tone modifying sections features its own dedicated On/Off switch and controls for easy editing.

The SV-1 can be transposed into any key, and the tuning can be adjusted to match another instrument or existing track. Eight velocity curves match the keyboard response to any playing style. Unlike the original instruments, the SV-1 is virtually maintenance-free and always in tune.

The SV-1 features balanced XLR and ¼” outputs, eliminating the need for noisy or costly direct boxes. Convenient audio inputs are also provided, along with a front-mounted headphone jack. A half-damping sustain pedal is included. Two aux pedal inputs can accommodate an additional switch pedal and an additional sweep pedal (to control the Wah effect and Rotary speed, for example). Both inputs can accept switch pedals, providing the Soft and Sostenuto pedals for the piano performer.

The SV-1 Stage Vintage Piano will be available early November 2009.

The 73-key SV-173 will carry an MSRP of $2700.00; the 88-key SV-188 will carry an MSRP of $3000.00.

Sabian SBr Series Of Brass Cymbals


Sabian has introduced SBr a new series of brass cymbals designed to offer improved quality and value for the entry level drummer. Produced from a special-formula brass alloy at the Sabian plant in Canada, the budget-priced SBr is available in a full range of popular sizes and models, each featuring deep, large-peen hammering and pinpoint lathing. SBr is available exclusively in Natural Finish.

Said Sabian Master Product Specialist Mark Love: “SBr offers a new, higher quality of brass cymbal and sound for the entry level drummer. Despite its budget price, this series has been designed as a value-added cymbal that sets a new standard for quality at this price point in the brass category. To ensure this level of quality, SBr features the same hand-guided, high-pressure hammering and traditional hand lathing applied to more expensive professional cymbals.”

The SBr series includes hi-hats, splashes, crashes, and rides. Also available are Sonically Matched pre-packs including the Performance Set (14″ hi-hats, 16″ crash, 20″ ride), the First Pack (13″ hi-hats, 16″ crash), and the 2-Pack (14″ hi-hats, 18″ crash ride).

SBr cymbal facts:

Audience: Entry Level

Price Point Budget

Metal: Brass

Hammering: Jumbo Peen

Lathing: Pinpoint

Finish: Natural

Sizes: 10″,13″,14″,16″,18″,20″

Model #:
10″ Splash SBR1005
13″ Hi-Hats SBR1302
14″ Hi-Hats SBR1402
16″ Crash SBR1606
18″ Crash Ride SBR1811
20″ Ride SBR2012
First Pack SBR5001
Two Pack SBR5002
Performance Set SBR5003

More information: Sabian

Tascam US-2000 USB interface

tascamTascam has unleashed the US-2000 – a new 16-input audio interface condensed into only one rackspace.

Eight studio-grade microphone preamps welcome condenser microphones, and two of the mic inputs are on the front panel for easy access. An additional six balanced 1/4″ line inputs are provided, as well as four balanced line outs and stereo digital I/O. The front panel features a 100-LED meter bridge for setting input and output levels. The US-2000 connects to a computer through high-speed USB 2.0, and is priced about the same as less-capable 8-channel FireWire interfaces.

US-2000 specifications:

  • 16-in / 4-out USB 2.0 audio interface
  • 96kHz / 24-bit audio resolution
  • (8) XLR microphone inputs with phantom power
  • (6) 1/4″ balanced line inputs
  • (4) 1/4″ balanced line outputs
  • (2) 1/4″ instrument inputs (chan. 7 & 8 on front panel “combi “jacks)
  • Stereo S/PDIF digital in and out
  • 100-LED meter bridge (5 segments for each input and output)
  • Zero-latency direct monitoring with mono/stereo switch for each pair of inputs
  • 1/4″ balanced stereo monitor output with its own volume control
  • 1/4″ stereo high-powered headphone output
  • Mac and Windows compatible
  • Steinberg Cubase LE4 48-track recording software included
  • High-tech, attractive aluminum case design

Included with the Tascam US-2000 is Cubase LE4 – a 48-track workstation for Mac or Windows computers. It includes flexible hardware controls for zero-latency monitoring during recording.

The Tascam's US-2000 is available now at a projected street price under $500.

More information about the product: Tascam